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It is Christmas Eve of 1800 when Paris is rocked by an explosion that narrowly misses killing First Consul Napoleon Bonaparte. Chief Inspector Roch Michel is called in to investigate. His investigation is not without danger for him and his family, however. Although Roch is convinced that the Chouans – royalists who wished to reinstate the French monarchy – are behind the attack, the Prefect of the police is adamant that the culprits are the Jacobins – a group to which Roch’s father has some ties. Soon it becomes clear that Roch must solve this case or risk his father’s safety, or even his life.
As is probably evident from the above description, “For the King” is something of an historical mystery or thriller, but it is written to flow more like standard historical fiction than a thriller or mystery. That combination worked brilliantly for me, I loved Delors’ writing.
Perhaps the best thing about “For the King” was how vivid the story way. Delors brought her characters and plot to live so well that I assumed the entire thing was a product of her imagination, just loosely based on the real struggles happening in France post-revolution. This turns out not to have been the case at all. Although she did take some historical liberties, melding or creating a few characters, etc in order to tell the story more fluidly, “For the King” is directly based upon real events. I was absolutely stunned to read that in her author note, after how much life she breathed into the story.
I really enjoyed “For the King” and would highly recommend it to those interested in a bit of historical mystery, or in the aftermath of the French Revolution.
This review was done with a book received for a blog tour.
* These links are all affiliate links. If you buy your book here I’ll make a very small amount of money that goes towards hosting, giveaways, etc.
When Dr. Harvey Burdell is discovered brutally murdered one morning at 31 Bond Street, his boarder and household manager, Emma Cunningham is immediately suspected. When a secret marriage certificate is found dating to two weeks before the murder, her fate seems to be sealed, until she manages to hire Henry Clinton as her lawyer. Alternating between the months leading up to the murder and the time after the murder leading up to the trial, “31 Bond Street” is grabbed my attention from the beginning and didn’t let go.
If you know my reading well, you know that I am often less than enamored with historical fiction set in the United States. There are a fair number of exceptions, but as a rule it doesn’t interest me – which is odd, because I have always loved American history. Happily, “31 Bond Street” was precisely one of those exceptions.
I was drawn to every aspect of “31 Bond Street.” First of all, real life murder mystery! It is a bit gruesome if you are squeamish about that sort of thing, but the details aren’t too pervasive, so you could probably sort of gloss over them. I loved the way that Horan drew the setting, I truly got the feel of mid-19th century New York. Then there was the way that the characters and their stories were unraveled: slow enough to keep me in suspense, fast enough that I didn’t get bored or annoyed.
I also thought the story and structure were fabulous. Horan did a wonderful job interweaving the historical facts as they are known with her own conjecture and conclusions. It kept the story moving and allowed for some sort of resolution to the mystery, instead of being left with the questions in the historical record. This is the kind of thing that breathes life into a story, and it was done perfectly. So too the decision to alternate between the time before and the time after the murder. Each storyline was told chronologically, and they both ultimately were leading to the same conclusion reached at different times, which lent a nice sense of balance to the story, while constantly building suspense.
Really, the only thing that disappointed me about this book is that it is Horan’s first, so I couldn’t pop out and grab another one to read. Even so, it was the kind of book that left me so high on the experience of reading it that I just wanted to keep reading anything I could get my hands on, even if it was completely different.
This review was done with a book received from the author.
* These links are all affiliate links. If you buy your book here I’ll make a very small amount of money that goes towards hosting, giveaways, etc.
While translating Madame Léon Grandin’s 1894 travel memoir, A Parisienne in Chicago, Impressions of the World’s Columbian Exposition, I also played the role of tag-along tourist. Since I am not a Chicagoan, I allowed Madame Grandin to lead me around the city, pointing out its most striking aspects. From strolls in Washington Park, busy circuits of shopping and culture in the Loop, and long days exploring the Exposition at Jackson Park, Madame Grandin took full advantage of her ten month stay to discover many different facets of the city.
Mapping the neighborhoods and places in Chicago mentioned by Madame Grandin helped me to visualize her movements throughout the city. Madame Grandin and her husband, the sculptor Léon Grandin, lived in a series of boarding houses located near Jackson Park. Upon arrival at the train station in Chicago in August of 1892, they were greeted by a grueling heat wave and headed to the south side of the city. Since Léon was part of a team of sculptors working on the Columbian Fountain for the exposition, the boarding house at 3700 South Ellis Avenue was convenient to the fairgrounds. Although they complained about the miserly landlady and the insubstantial meals, their room offered a pleasant view of Lake Michigan. In search of more comfortable accommodations and better food, the Grandins moved to another rooming house near Drexel Boulevard, which Madame Grandin compared to the elegant Avenue des Champs Elysées. During the final months of their stay, they lodged at the Everett Hotel at 3619 Lake Park Drive.
After spending several weeks exploring the south side of the city, Madame Grandin discovered that a tram car conveniently shuttled between Jackson Park and The Loop. The throbbing heart of the city, The Loop was the focus of many of her expeditions, including visits to the Athenaeum, the Chicago Public Library, and the Auditorium, where she and her husband attended the Inaugural Ball of the Exposition in October 1892. Madame Grandin also frequented the commercial establishments of The Loop, including the elegant Siegel Cooper department store and Gunther’s Confectionary on State Street, where she found the candies far superior to those in Paris and indulged her sweet tooth. Madame Grandin’s outgoing personality and curiosity about the city soon led to a flurry of social activity. Her friendship with two instructors at the Art Institute, Lydia Hess and Marie Gélon Cameron, enabled her to visit their studios and classes, located at the time in the Athenaeum. She even managed to obtain an introduction to Bertha Palmer and attended numerous receptions at Palmer’s elegant home on Lake Shore Drive.
Although the primary reason for her trip was to accompany her husband to the Exposition, it seems that the city of Chicago was the most impressive spectacle of all. As Madame Grandin circulated in the bustling streets, explored exhibits at the fair, strolled in the parks, and socialized at parties, dances, and cultural events, she discovered a dynamic urban setting which, in many ways, she found preferable to her home city of Paris.
In July of 1892, Madame Leon Grandin and her husband boarded a ship in Le Havre heading for New York. They stayed for six weeks with relatives in New York, then headed across the country to Chicago, where her husband would be working on the Columbian Fountain project for the 1893 World’s Fair. “A Pariesienne in Chicago” is Madame Leon Grandin’s travelogue of her time in America, focusing extensively on social customs and societal norms in the United States and in Chicago in particular.
As I was reading Madame Leon Grandin’s account of her time in Chicago in 1892 and 1893, the quote about the past being a foreign country was continually running through my head. Madame Grandin traveled from Paris to the place that I live, but the Chicago of 120 years ago is nearly as foreign to me as it was to her, even discounting the changes in technology between then and now. The things that really got to me don’t seem like big things, but they were so unexpected I was just shocked, things like Thanksgiving being a religious holiday where people headed to church in the morning instead of watching parades and football.
Being as this was a translation of a 19th century travelogue focusing on social practices in Chicago, I was amazed at how completely engaging “A Parisienne in Chicago” was. I literally did not want to put it down because Madame Grandin’s voice was so engaging. I attribute this both to Grandin’s writing style (which included lots of exclamation points!) and to Mary Beth Raycraft’s skillful translation. I do think it is important to note that, the subtitle not withstanding, only a very small portion of the book actually deals directly with the World’s Fair, so if that’s your main impetus for picking this book up you may be disappointed. That being said, I think this was much more interesting for the social history it highlighted than it would have been if it were just Grandin’s impressions of the World’s Fair.
This review was done with a book received from the publisher for this blog tour.
* These links are all affiliate links. If you buy your book here I’ll make a very small amount of money that goes towards hosting, giveaways, etc.
Life was not easy for Willow, a young Chinese girl in a small village at the end of the 19th century. Her family had little money, and survived mostly on what she and her father could steal, until her father was taken under the wing of Absalom, the white Christian missionary in the area. As Willow’s father was becoming a leader of the Church under Absalom’s guidance, Willow is beginning a friendship with Absalom’s daughter, Pearl. Having lived in China since she was mere months old, Pearl feels more Chinese than American: hiding her blonde hair under black wool caps and singing traditional Chinese songs.
Willow and Pearl grow older, but they do not grow apart, even when Pearl has to return to the U.S. for college and other life events. Pearl begins to find her worth and her life’s work in writing fiction about China, but fiction that rings true to the experiences of the peasants she has lived among for nearly her entire life. Towards the middle of the 20th century, however, there is a crest in animosity towards foreigners, and Pearl is forced to flee to America. After Mao comes to power, Willow’s life is threatened by her lifelong friendship with the writer who is now being labeled a cultural imperialist.
I was initially slightly disappointed with this book, because in some ways it was more about Pearl’s semi-fictional friend Willow than it was about Pearl S. Buck herself. However, as I read it I became enamored of Pearl’s story set against the backdrop of turn-of-the-century China. Although it took some time for me to become fully engrossed in the story, I soon found myself lost in the lives of Willow and Pearl.
What really gave this book a special heart, I think, is Anchee Min’s own back story with Pearl S. Buck. Min was forced to denounce Buck as a youth during the Cultural Revolution. After she came to the United States and became a published author, she was gifted a copy of “The Good Earth” by a reader. Buck’s story touched Min so deeply that the idea for “Pearl of China” was born.
Highly recommended for a look at the history of modern China, as well as of author Pearl S. Buck.
This review was done with a book received from the publisher via LibraryThing’s Early Reviewer program.
* These links are all affiliate links. If you buy your book here I’ll make a very small amount of money that goes towards hosting, giveaways, etc.
bermudaonion (Kathy)
Sandy
Stephanie
Beth F
Michelle
For the King by Catherine Delors
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