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Aug 032012
 

The Great Gatsby by F. Scott Fitzgerald, narrated by Robertson Dean
Published in audio by Tantor Audio

Synopsis:

From the Scribner paperback edition:

The story of the fabulously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when The New York Times noted “gin was the national drink and sex the national obsession,” it is an exquisitely crafted tale of America in the 1920s.

Thoughts on the story:

Dude, it is Gatsby, y’all. One of my favorites.

Thoughts on the audio production:

Robertson Dean was the first ever narrator that I just absolutely loved when he provided the voice for Ethan Canin’s America America. Somehow, though, I haven’t listened to a single other audio he has narrated in the intervening 3 years since I developed my audio crush on him. When I saw that he had narrated one of my favorite classics, The Great Gatsby, I jumped to listen. Robertson Dean is just as wonderful as I remember, he has a wonderful and sonorous voice and great delivery. That being said, by the end of the book I found him a slightly ill-fitting choice, primarily because the book is told from Nick’s point-of-view and Dean simply sounds a bit too mature for this young Midwestern man. Despite this slight disconnect, though, this is still a strong production that is well-narrated, although perhaps not perfectly cast.

Overall:

I love The Great Gatsby and I love Robertson Dean, but they didn’t quite mesh as well as I had hoped. Still, this was an enjoyable listen.

Buy this book from:
Powells: Audio*
Indiebound: Audio*

I’m launching a brand-new meme every Friday! I encourage you to review any audiobooks you review on Fridays and include the link here. If you have reviewed an audiobook earlier in the week, please feel free to link that review as well. Thanks to Pam for creating the button.

Source: Publisher.
* These links are all affiliate links. If you buy your book here I’ll make a very small amount of money that goes towards hosting, giveaways, etc.
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Nov 112011
 

A History of the World in Six Glasses by Tom Standage, narrated by Sean Runnette
Published in audio by Tantor Audio; published in print by Walker Books, an imprint of Bloomsbury

Synopsis:

From the publisher:

A History of the World in 6 Glasses tells the story of humanity from the Stone Age to the 21st century through the lens of beer, wine, spirits, coffee, tea, and cola. Beer was first made in the Fertile Crescent and by 3000 B.C.E. was so important to Mesopotamia and Egypt that it was used to pay wages. In ancient Greece wine became the main export of her vast seaborne trade, helping spread Greek culture abroad. Spirits such as brandy and rum fueled the Age of Exploration, fortifying seamen on long voyages and oiling the pernicious slave trade. Although coffee originated in the Arab world, it stoked revolutionary thought in Europe during the Age of Reason, when coffeehouses became centers of intellectual exchange. And hundreds of years after the Chinese began drinking tea, it became especially popular in Britain, with far-reaching effects on British foreign policy. Finally, though carbonated drinks were invented in 18th-century Europe they became a 20th-century phenomenon, and Coca-Cola in particular is the leading symbol of globalization.

For Tom Standage, each drink is a kind of technology, a catalyst for advancing culture by which he demonstrates the intricate interplay of different civilizations. You may never look at your favorite drink the same way again.

Thoughts on the story:

Tom Standage has a fascinating story to tell of how our history has shaped what we drink, which ends up shaping our history again. Both the book and the argument were well-laid out, progressing logically through each of the six drinks and through human civilization, as one drink gave rise to another. Different technological and cultural advances precipitated the rise of each of the six drinks, and each of them further shaped culture in its own way. It should be noted, though, that this is less a history of the world than a history of Western Civilization, beginning with the early farmers in the fertile crescent and moving ever westward. Of course the east does get a mention, particularly when tea is involved, and coffee came to Europe from the Arab world, but in both cases the use of the beverage in Western Europe is the main focus. This is not necessarily a bad thing if one is prepared for this, but at the same time it would have been nice to have a more worldwide lens based on the title.

Thoughts on the audio production:

Sean Runnette is a great narrator of nonfiction. His delivery is clear and his voice easy to listen to, with just the right amount of interest added in his inflection. There was occasionally an issue with the quality of the recording, some of the edits were noticeable, but overall they didn’t negatively affect the listening experience.

Overall:

A really fascinating way of looking at our shared history. Recommended.

Buy this book from:
Powells: Audio/Print*
Indiebound: Audio/Print*

I’m launching a brand-new meme every Friday! I encourage you to review any audiobooks you review on Fridays and include the link here. If you have reviewed an audiobook earlier in the week, please feel free to link that review as well. Thanks to Pam for creating the button.

* These links are all affiliate links. If you buy your book here I’ll make a very small amount of money that goes towards hosting, giveaways, etc.
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Aug 052011
 

The Psychopath Test by Jon Ronson, narrated by Jon Ronson
Published in audio by Tantor Audio; published in print by Riverhead Books, an imprint of Penguin

Synopsis:

Known as a journalist who gets things done, Jon Ronson is called quickly when neurologists all over the world all receive the same baffling book. Ronson uncovers the perpetrator with little difficulty, but his involvement in the hoax gives him an insight into another phenomenon: the impact of madness on our every day lives. During the course of his investigation, Ronson meets neurologists who deal with psychopathy and becomes particularly interested in the theory that nearly every aspect of our lives is shaped by the influence of psychopaths, particularly those who seem to be in positions of power in disproportionally large numbers. Armed with Bob Hare’s Psychopathy Checklist, known in many circles as the Psychopath Test, Ronson ventures out among a variety of people, all with apparently psychopathic tendencies to see what he can learn.

Thoughts on the story:

The title of The Psychopath Test is ever so slightly misleading. Ronson is not truly exclusively interested in psychopaths, but in madness and how it shapes the world, and our reactions to it - the case that led him to this topic did not directly involve a psychopath at all, in fact. However he finds over the course of his investigation that psychopathy is the most influential of madnesses, so it fittingly takes a place of prominence in his research and the resulting book.

The study of psychopaths truly is fascinating. At one point, another psychologist complains that Bob Hare - of checklist fame - speaks of psychopaths almost as if they were a separate species, Homo psychopathis, or something. There were many times throughout the book when the same thought occurred to me, not as a criticism, but as something that sent shivers down my spine. Still, though, by the end of his research, Ronson has learned not only a respectful fear of psychopaths, but a healthy dose of skepticism about our method for identifying them. Contrary to the ‘separate species’ remark, psychopathy is not an all or nothing proposition, but instead it is a spectrum. At what point are you a psychopath? For most intents, someone who scores a 30/40 on Hair’s checklist is so classified, but what about someone who scores a 29? Is that so far from a 31?

One thing I do wish had been addressed by Ronson and his research, even if only fleetingly, is the prevalence of male vs. female psychopaths. Unless I am much mistaken, each of the people in whom Ronson and others diagnosed psychopathic tendencies was male. We know that psychopaths comprise approximately 1% of the population, but it would have been interesting to see how that breaks down on gender - and other socioeconomic - lines. Is the faulty amygdala primarily a male defect, or did Ronson merely have a faulty sample?

Thoughts on the audio production:

In The Psychopath Test, Ronson narrates his own work. His voice does take some getting used to, but he is not half-bad, as narrators go. He is perfectly capable of inserting appropriate excitement and emotion into the text. Particularly attractive is his narration of his own anxieties, oftentimes nearly crippling. Because he inserts himself so completely into his narrative, it makes complete sense for him to do the actual narration when the text is translated into an audiobook. The experience is made that much richer by his familiarity with the text and ability to impart the full range of emotions he felt during this period of research.

Overall:

The Psychopath Test is a fascinating work of extremely narrative journalistic nonfiction. Readers and listeners alike will be more than a little horrified by the psychopaths who lurk everywhere around us, mimicking our emotions though they feel none themselves. I would recommend The Psychopath Test in either print or audio, but be prepared to begin measuring everyone you meet against the Hair Checklist.

Buy this book from:
Powells: Audio/Print*
Indiebound: Audio/Print*

I’m launching a brand-new meme every Friday! I encourage you to review any audiobooks you review on Fridays and include the link here. If you have reviewed an audiobook earlier in the week, please feel free to link that review as well. Thanks to Pam for creating the button.

Source: Tantor Audio.
* These links are all affiliate links. If you buy your book here I’ll make a very small amount of money that goes towards hosting, giveaways, etc.
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Jul 292011
 

Apollo’s Angels by Jennifer Homans, narrated by Kirsten Potter
Published in print by Random House, published in audio by Tantor Media

Synopsis:

In Apollo’s Angels, Jennifer Homans tells the story of 400 years of ballet’s history, a history which, until now, has  been unwritten.

Thoughts on the story:

Ballet is ballet is ballet. Or so I thought, before reading Apollo’s Angels. I had no idea that there were national differences even today, or that political movements such as the French and Russian Revolutions were so expressed through the art of ballet. Weighing in at almost 700 pages in print and close to 24 hours in audio, Apollo’s Angels is certainly a commitment, but it is a pleasant one. Homan succeeds in writing a book which is informative about the history of ballet and the way that ballet serves as a mirror of social and political history, while at the same time is not overly technical. There were certainly passages here and there that lost me briefly talking about specific steps, but even though I have not taken ballet since I was five years old, I was never lost for long, and was engaged enough to stick through those technical sections to return to the history.

The one place Homan did lose me was at the very end, in which she makes an argument for the disappearance of ballet in the near future which does not seem to be hinted at or backed up in any way by the 600 odd pages that precede it. Still, though, it was a very short passage in comparison with the rest of the book, and was not enough to permanently leave a bad taste in my mouth.

Thoughts on the audio production:

Kirsten Potter did an absolutely lovely job narrating Apollo’s Angels, the casting was really just perfect for the book. For my full thoughts on the audio, please see my review for Audiofile Magazine.

Overall:

I was more interested in Apollo’s Angels for the social and cultural history than for the ballet itself, but ballet was a fascinating way to impart this history. I think this would work well in print or audio, although I don’t think I’d have done as well with it in print, as I would likely have gotten bogged down in the technicalities of dance. Recommended.

Buy this book from:
Powells: Audio/Print*
Indiebound: Audio/Print*

I’m launching a brand-new meme every Friday! I encourage you to review any audiobooks you review on Fridays and include the link here. If you have reviewed an audiobook earlier in the week, please feel free to link that review as well. Thanks to Pam for creating the button.

Source: Audiofile Magazine.
* These links are all affiliate links. If you buy your book here I’ll make a very small amount of money that goes towards hosting, giveaways, etc.
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Jul 152011
 

Snakewoman of Little Egypt by Robert Hellenga, narrated by Coleen Marlo
Published in audio by Tantor Audio, published in print by Bloomsbury USA

Synopsis:

Newly released from prison after being incarcerated for six years for shooting her husband, Sunny just wants to move on with her life, starting by getting a college degree. She has requested that the prison not notify her abusive, snake-handling husband of her release, and headed to the college where her dead uncle once worked as a janitor. He rather conveniently left her $80,000 and apparently nobody at the university has a problem admitting a felon who didn’t complete high school, so she is set to study French and biology. Before long, Sunny finds herself involved with Jackson, her uncle’s friend, and finds Jackson becoming increasingly intrigued by her ex-husband’s church or snake-handlers. Nothing good can come of Sunny’s old and new worlds colliding.

Thoughts on the story:

Where oh where to begin? There are so many serious issues with this story that I’m sure I will not manage to list all of them, so let me start by saying I wonder just exactly how it made it past an editor. I can see how it might have been picked up initially, because the idea of the plot is strong, but there are so many serious errors in execution -especially in the second half - that I’m surprised it is at large in the marketplace.

To begin: the info dumps. It is quite obvious that Hellenga did extensive research for Snakewoman of Little Egypt, but he has the worst case of ‘let me show you what I know’ of any novelist I have ever read. Everything from kettle drums (which are not really drums, you know) to the interaction between squirrels and snakes. If Hellenga looked it up, he was damn well going to let you know about it. 98% of it was completely superfluous and distracted from the limited emotional life of the characters (more on that in a minute). Simply cutting all of these extra digressions, none of which particularly added anything, would have made Snakewoman of Little Egypt 100% better, although perhaps still not good.

Perhaps most importantly, there was no real character development. Nobody grew, nobody changed, and the reader was never given any indication of anyone’s real internal life. What happened between Sunny and Jackson having sex and them becoming a couple? How did Claire feel when she found out that her affair with Jackson was being ended because of his new relationship with Sunny? Instead of treating us to any of these insights, Hellenga spends his time in Sunny’s head as she wonders what sex was like between Jackson and his pygmy girlfriend.

In addition to these issues there were phrases repeated ad nauseum - including, among other things, the phrase “superhuman erection” to describe the feeling of holding a snake - and bulky, unrealistic dialogue added for exposition and the furtherance of plot at the expense of internally consistent story. OH, and the fact that every damn thing comes back to sex for Sunny and, to a lesser extent, the entire cast of characters.

The worst part is that the first half of the book actually showed a fair amount of promise, but everything went downhill after Jackson uttered the phrase “superhuman erection” for the second time about halfway through the book.

Thoughts on the audio production:

This is the part that makes me sad, because Marlo’s narration really is quite good. I wasn’t crazy about the voice she gave to one of the minor characters, but she was excellent at distinguishing between characters and switching between accents. Even her skilled narration, though, can’t save this trainwreck of a book.

Overall:

Marlo’s narration does give the book some grace, but the audio format also accentuates the repeated phrases and inhibits skimming over info dumps, so I would advise just staying away from this book in general.

Buy this book from:
Powells: Audio/Print*
Indiebound: Audio/Print*

I’m launching a brand-new meme every Friday! I encourage you to review any audiobooks you review on Fridays and include the link here. If you have reviewed an audiobook earlier in the week, please feel free to link that review as well. Thanks to Pam for creating the button.

Source: Publisher.
* These links are all affiliate links. If you buy your book here I’ll make a very small amount of money that goes towards hosting, giveaways, etc.
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Jun 102011
 

Sweet Jiminy by Kristin Gore, narrated by Hillary Huber
Published in audio by Tantor Audio; published in print by Hyperion

If you posted an audiobook review today, Friday June 10th, please leave your link in the Mr. Linky before midnight Central time (US) and you will be eligible to win a prize.

Synopsis:

Lost and unsure what she is doing with her life, Jiminy leaves law school in Chicago, and heads back to her grandmother Willa’s house in Mississippi. While there, she discovers that she is not the first Jiminy in the town. Her grandmother’s housekeeper, Lyn, had a daughter named Jiminy as well, a girl who was murdered with her father by members of the local arm of the Klan. Jiminy the current can’t let this case rest, and becomes determined to solve the cold case, stirring up long-buried trouble in the town in the process.

Thoughts on the story:

This plot has all the hallmarks of a story I would love. Somehow, though, it managed to be utterly unengaging. Part of the issue was that Gore simply introduced far too many characters, many of them unimportant, like Willa’s friend who likes guns and gaming consoles. She added little or nothing to this relatively slight book, and took up space that could have been better used to further develop the story of either of the Jiminys. The other issue was that none of the characters - the current Jiminy in particular - were particularly deeply drawn, leaving the whole thing feeling incredibly shallow, with no emotional investment on the part of the reader.

Thoughts on the audio production:

Hillary Huber is a highly competent narrator, and she certainly did the best with the mediocre material she was supplied. She brought Sweet Jiminy up to the point where it was fairly enjoyable, at least during the listening. It wasn’t until after I finished and reflected on the story that I realized just how mediocre it really is.

AudiobookWeek pictureOverall

I really can’t particularly recommend this at all, but if you want or need to read it for some reason, I highly suggest you grab the audio so that Huber’s narration can improve your experience.

Buy this book from:
Powells: Audio/Print*
A local independent bookstore via Indiebound: Audio/Print*

Source: Publisher.
* These links are all affiliate links. If you buy your book here I’ll make a very small amount of money that goes towards hosting, giveaways, etc.
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Jan 282011
 

5274144754 23ddce0826 m pictureThe Emperor of All Maladies: A Biography of Cancer by Siddhartha Mukherjee, narrated by Stephen Hoye
Published in audio by Tantor Media, published in print by Scribner, an imprint of Simon & Schuster

Synopsis:

“The Emperor of All Maladies” is a sprawling and epic biography of cancer from its earliest mentions, through a rocky history full of misunderstandings, to the latest and greatest cancer drugs of the present.

Thoughts on the work:

Absolutely fascinating.

Almost 600 pages or 21 hours of a discourse on cancer sounds perhaps somewhat intimidating, but Mukherhjee has created a fairly comprehensive biography which can be easily grasped by laymen, but is still detailed. I cannot even begin to list all of the things I learned. The section which has stuck with me more than anything else is the discussion on carcinogens and how they actually cause cancer. My level of thought on that had always been limited more or less to ‘they do,’ without questioning the how. This is merely one example of how Mukherjee makes the reader examine what she thinks she really knows about cancer. I cannot think of a single section of “The Emperor of All Maladies” that failed to excite my interest and curiosity. Best of all, Mukherjee walks the line of intellectual and easily understandable with grace and ease.

Thoughts on the audio production:

I was not terribly fond of Hoye at the outset, but he grew on me throughout the 21 hours of this audiobook. Largely I think he just got out of the way of Mukherjee’s work, but I think that was really exactly what needed to be done. Please see my review for AudioFile Magazine for more details.

Overall:

I would absolutely recommend “The Emperor of All Maladies.” Whether you partake in print or audio should be determined by the purpose you have in reading it. If you are already a medical science-minded person and want to really get in depth with the details Mukherjee provides, that is often best served by print. However, if you are like me and are looking more for a comprehensible overview of cancer and the history of cancer, audio is a great choice to keep you from getting too caught up in technical jargon and still give a good, comprehensive overview.

Buy this book from:
Audible: Audio
Powells: Audio/Print*
A local independent bookstore via Indiebound: Print*
Amazon: Audio/Print*

Source: AudioFile Magazine.
* These links are all affiliate links. If you buy your book here I’ll make a very small amount of money that goes towards hosting, giveaways, etc.
Aug 202010
 

4904930671 1e5c6ca7a1 m pictureHow to Buy a Love of Reading by Tanya Egan Gibson, narrated by Renee Raudman
Published in Audio by Tantor Audio
Published in Print by Plue, an imprint of Penguin

Synopsis:

Carley Wells doesn’t have a whole lot going for her. She’s heavy, not particularly good at school, and not exactly popular in rich and chic Fox Glen. Eager to make her shine for her 16th birthday: they are going to commission an author to write a novel to coordinate with her birthday party theme. The author, Bree McEnroy, has been tasked with writing a book that Carley will love, but as Carley doesn’t think much of books and reading, this may be a more difficult commission than Bree bargained for. Hunter Kay is another complicating factor. As Carley’s best friend and a huge fan of the written word he initially spends a good deal of time helping Bree and Carley’s creative process along, but it becomes increasingly apparent that Hunter’s use of alcohol and prescription drugs is a much bigger problem than he wants to let on - a revelation that has great impact on all of the people around him.

Thoughts on the story:

I am completely amazed that I didn’t absolutely hate each and every character. Everyone, with the exception of the author, Bree McEnroy, had entirely too much money for his or her own good, to the point where frivolous purchasing what the name of the game. I mean, for pete’s sake, Carley’s parents basically bought her a novelist in order to impress their friends and make her look better for colleges. What could be more ridiculous than that? Then there’s the fact that the only things most of the kids in Fox Glen seemed to care about were drugs and sex - maybe being popular and fitting in as well. Really, not much could sound less appealing to me.

And yet, Egan Gibson managed to humanize her main characters to a degree I would not expect, given their most prominent qualities. In fact, I was really impressed with how, not only did I not completely hate the characters, I actually felt sympathy for most of them. And that’s really saying something, because ‘poor little rich girl’ doesn’t usually elicit much sympathy from me. That, in my opinion, is an impressive quality in an author.

Thoughts on the audio production:

I very much enjoyed Renee Raudman’s work narrating “How to Buy a Love of Reading.” I thought that she was well cast in the part, and she gave both life and depth to her characters. And, praises be, she did not interpret them as whiny, as she might have most annoyingly done. Her narration certainly helped keep Egan Gibson’s characters in the realm of surprisingly sympathetic, instead of simply obnoxious spoiled brats.

Overall:

I was definitely nervous during the first part of this book that I was going to hate the characters so much that I wouldn’t be able to finish it, but I was pleasantly surprised by the depth introduced by Egan Gibson and the way that Raudman’s narration supported the story. Recommended.

Note: although the chief protagonist of the story is a high school girl, “How to Buy a Love of Reading” doesn’t come across as a YA book. I believe that adults, as well as older teens, would enjoy this story.

4909013259 51a8f4edb5 m pictureThe audiobook has a similar cover design as the hardcover, but “How to Buy a Love of Reading” was recently released in paperback, with this new cover.

Buy this book from:
Powells: Audio/Print*
A local independent bookstore via Indiebound: Audio
/Print*
Amazon: Audio
/Print*

This review was done with a book received from the Tantor audio.
* These links are all affiliate links. If you buy your book here I’ll make a very small amount of money that goes towards hosting, giveaways, etc.