Vlad: The Last Confession by C.C. Humphreys
Published by Sourcebooks Landmark, an imprint of Sourcebooks
Five years after the death of Vlad Dracula, the Turks are encroaching more and more on Christian lands. If only the Order of the Dragon had not been discredited when Vlad was, it could still serve as a tool of Crusade for Christendom. In an effort to rehabilitate both Vlad and the Order of the Dragon, the three people who best knew him have been brought to one of his former castles to make confession on his behalf, telling Vlad’s story from his captivity with the Turks through the height of his power and cruelty, on to the time of his discrediting.
Vlad: The Last Confessions is the certainly the story of the ‘real’ Dracula, but more than that, it is a story of how history is written and warped to fit the needs of the victors:
The listeners had been fashioning their own Vlad, according to their needs. For Petru it was simple. he wanted the man who built the castle he commanded to be a hero; more, a Wallachian hero. He had heard of a time of justice, order, strength in his land. Of the smiting of Christ’s foes. He wanted that time again.-p. 69
At one time it was expedient for both the Turks and Hungarians to paint Vlad as a monster, but Vlad: The Last Confession posits a time when it may have been necessary for other European Christians to try to clear his name. The truth will never exonerate Vlad entirely, he was by no means a benevolent ruler, but it does shed a light on his motivations, which may have been more complex than cruelty for cruelty’s sake.
So laughed, the sound harsh. “So I have become a tale to amuse fat burghers over their suppers, and to hush their children with terror when they will not sleep,” He lifted his goblet, drank, set it down. “All I did, all the measures I took for Wallachia, against thieves and traitors and Infidels, come to this.” He jabbed a finger at the pamphlet. “Me, reduced to a blood-sucking monster.” -p. 327
The device of telling Vlad’s story through those who knew him best worked very well. In practice it meant that most of Vlad’s story could be told as a seamless narrative. The impression is that all three confidants are telling the story in an integrated fashion, picking up where another left off, coming back to the scene in the castle only when exposition is needed. Some of the scenes of war and violence got a bit old after awhile, but it would have been difficult to avoid them, as they were a very significant part of Vlad’s life.
Overall, Vlad: The Last Confession was an interesting and engaging look at the life of Vlad Dracula and how history is shaped by political needs. Recommended.
For a more in-depth discussion of the book and Humphreys’s inspiration for it, please check out my interview with him on my podcast, What’s Old is New.
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