4601762925 db67d58ed7 m pictureSo last week I was finally spending some time really going through my Google Reader, which at been at 1,000+ posts for at least a week – seriously people, there were posts from before the Readathon in there!

Anyway, while I was reading, I came across a book review by Natalie of Book, Line, and Sinker of a book I really enjoyed, “Between Friends” by Kristy Kiernan. It seemed that one of Natalie’s biggest issues with the book was that she wasn’t able to get a good feel for the characters, partly because the author did not describe their physical appearance adequately. Natalie says:

As a reader, I like to visualize characters but had trouble doing so with this novel because physical description of many of the main characters is spartan or introduced too far into the book.  I never fully connected with Ali because I couldn’t get a bead on her appearance.

Now, this wasn’t a problem for me at ALL, but it did get me thinking. In fact, I’ve been thinking about Natalie’s review and what it means about the different ways that people read for over a week now.  I pay pretty much no attention at all to an author’s description of physical characteristics. I pay slightly more attention to landscape details, but still not a whole lot, if they’re sort of mentioned in passing.

For instance, when I first saw the “Harry Potter” movies, I was shocked to see Malfoy with blond hair. Shocked. I saw him as this dark, creepy character, blonde hair was not in the picture at all. Of course, when I went back and reread the book and, sure enough, Malfoy has blond hair. Huh.

So it isn’t exactly that I don’t picture the characters of a book in my head, but I don’t do it explicitly, and I don’t necessarily use the author’s descriptions to do it. Instead, I tend to build up a mental image of the character just from some of their personality traits (which is sort of weird, I guess, but that’s what I do).

But now I’m really curious about how others read, whether you need to be able to picture characters to feel connected to them, whether you explicitly picture them at all. Simply put, do you have to be able to picture what you’re reading?

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4586855109 f80e318066 m pictureGirl in Translation by Jean Kwok

When Kim was 11 years old, she and her mother moved from Hong Kong to New York. They seemed to be lucky in their move, Kim’s aunt was already in America and was able to help them get their green cards, give them housing when the arrived, help them find a more permanent residence, and employ Kim’s mother in the factory she managed. Until, that is, they realized that they were paying huge amounts from their paltry paychecks in loan repayment, were living in a dwelling unfit for human habitation (they had to heat the apartment by leaving the stove on), and that they were unable to meet their deadlines at the factory without Kim working long hours with her mother after school. Basically, not at all the life they expected when coming to America.

Luckily, Kim and her mother do have some hope for the future. Kim is an extraordinarily bright girl, and always excelled in her classes in Hong Kong. All she needs is to do the same thing in America, and then eventually she can rescue her mother from this life. Of course, success in school in Hong Kong doesn’t immediately translate to success in school in Brooklyn. First, Kim must navigate the cultural differences between her family and the people around her – and try to translate kidspeak.

“Girl in Translation” is an absolutely lovely novel, as is evidenced from the very first two pages (this quote is from an ARC, and may have changed in the final copy):

There’s a Chinese saying that the fates are winds that blow through our lives from every angle, urging us along the paths of time. those who are strong-willed may fight the storm and possibly choose their own road, while the weak must go where they are blown. I say I have not been so much pushed by winds as pulled forward by the force of my decisions. And all the while, I have longed for that which I could not have. At the time it seemed that everything I’d ever wanted was finally within reach. I made a decision that changed the trajectory of the rest of my life.

lf I had any criticism, I would say that at times Kim did not have enough flaws; she had huge reserves of strength and determination that kept her forever moving in the right direction. Perhaps she wasn’t always good, but neither did she ever really seem weak. However, I could accept her strength because she had essentially no choice but to be continually strong. If she could not do that, she and her mother would be lost under the press of their financial woes and limited options.

Interestingly, I was reading through “A Tree Grows in Brooklyn” at the same time as I was reading “Girl in Translation” and couldn’t help but see some similarities: the impoverished family, the father more or less out of the picture, the mother working incredibly hard, the daughter choosing to become educated no matter what the difficulties.

At the risk of sounding corny, this is a fabulous coming-of-age novel about the power of education and determination. Not only that, but the writing is gorgeous and Kim is a compelling character. Highly recommended.

Buy this book from:
Powells.*
A local independent bookstore via Indiebound.*
Amazon.*

This review was done with a book received from the publisher.
* These links are all affiliate links. If you buy your book here I’ll make a very small amount of money that goes towards hosting, giveaways, etc.

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Please read through to the bottom of this post for giveaway details.

In 1612, seven women and two men from Pendle Forest in Lancashire, Northern England were hanged as witches, accused of committing murderous acts of diabolical sorcery. My novel, Daughters of the Witching Hill, is based on this tragic history.

The prosecution, wishing to provide evidence of this alleged satanic magic, cited the charms and spells of accused witch Mother Demdike’s family. (Mother Demdike, whose real name was Elizabeth Southerns, died in prison before she could come to trial, but she was the most notorious of the accused, the supposed ringleader who had initiated all the others.) Her charms, recorded in the trial transcripts, reveal absolutely no evidence of devil worship, but instead use the ecclesiastical language of the Catholic Church, the old religion outlawed and literally demonized in Reformation era England. Mother Demdike’s incantation to cure a bewitched person—quoted by her granddaughter Jennet Device, one of the main witnesses for the prosecution, and considered damning evidence of diabolical sorcery—is, in fact, a moving and poetic depiction of the passion of Christ, as witnessed by the Virgin Mary.

What is yonder that casts a light so farrandly,
Mine owne deare Sonne that’s naild to the Tree . . . .

In places, the text of this charm is very similar to the White Pater Noster, an Elizabethan prayer charm which Eamon Duffy discusses in his landmark book, The Stripping of the Altars: Traditional Religion in England 1400-1580.

Her charm to get drink is in ecclesiastical Latin:

Crucifixus hoc signum vitam Eternam. Amen.

(Literal translation: the crucifix is the sign of eternal life.)

Mother Chattox, Demdike’s sometimes friend, sometimes rival, also employed charms full of this same Catholic imagery. The following is Chattox’s incantation to cure a bewitched person:

Three Biters hast thou bitten,
The Hart, ill Eye, ill Tonge:
Three bitter shall be thy Boote,
Father, Sonne, and Holy Ghost
a Gods name,
Fiue Pater-nosters, fiue Auies,
and a Creede,
In worship of fiue wounds
of our Lord.

In modern language the last part would read: five Pater Nosters, five Ave Marias, and a Creed, in the worship of the five wounds of our Lord—the cunning woman would then say these prayers while contemplating the five wounds of Christ.

It appears that Mother Demdike and Mother Chattox were practitioners of Catholic folk magic that would have been fairly common before the Reformation. Pre-Reformation Catholicism embraced many practises that seemed magical and mystical. People used holy water and communion bread for healing. They went on pilgrimages, left offerings at holy wells, and prayed to the saints for intercession. Some practises, such as the blessing of the wells and fields, may indeed have Pagan origins. Indeed, looking at pre-Reformation folk magic, it is very hard to untangle the strands of Catholicism from the remnants of Pagan belief, which had become so tightly interwoven.

4588171452 a21533dc09 m pictureUnfortunately these cunning folk of Pendle Forest had the misfortune to live in a place and time when Catholicism was conflated with witchcraft. Even Reginald Scot, one of the most enlightened men of the English Renaissance and a great skeptic regarding witchcraft accusations, believed the act of transubstantiation, the point in the Catholic mass where it is believed that the host becomes the body and blood of Christ, was an act of sorcery. In 1645, in a pamphlet by Edward Fleetwood entitled A Declaration of a Strange and Wonderfull Monster, describing how a royalist woman in Lancashire supposedly gave birth to a headless baby, Lancashire is described thusly: ‘No part of England hath so many witches, none fuller of Papists.’ Keith Thomas’s social history Religion and the Decline of Magic is an excellent study on how the Reformation literally took the magic out of Christianity.

Mary Sharratt’s acclaimed new novel, DAUGHTERS OF THE WITCHING HILL (my review), is published by Houghton Mifflin Harcourt. To learn more about her and the history of the Pendle Witches, visit her website: www.marysharratt.com

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the map of true places pictureAbout two weeks ago, I reviewed the newest release by Brunonia Barry, “The Map of True Places.” Although I thought it a more understated book than “The Lace Reader,” I found it all the more magical for its quietness.

I am pleased to announce that, thanks to the generosity of digital agency Wiredset, I have two copies to giveaway. US addresses only, sorry.

Please fill out the attached form by Wednesday, May 19th at 11:59 PM Central for your chance to win.

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4588171452 a21533dc09 m pictureDaughters of the Witching Hill by Mary Sharratt

In a time when the old ways of Catholicism were banned in England, Bess Southerns wants nothing to do with the dour new Puritan ways. The things that comfort her heart are the Catholic rites and rituals. When a spirit named Tibbs comes to her and promises her a future as a cunning woman, it is the old Latin prayers of Catholicism that Bess mutters to bring healing to those hurting around her.

Bess’s daughter, Liza, also has a spirit, but she denounces him before long; she is not, though, above living off of the payments from Bess’s healing work. The women know that what Bess is doing could be dangerous, both for the aspects of magic and those of Catholicism, but everyone in their village seems to accept Bess as a force of good. Besides, as poor as they are, they have little other choice. However, the religious and political climate is growing ever more precarious with the ascension to the throne of James I, a man who is obsessed with the occult.

“Daughters of the Witching Hill” is a fantastic read. I was thoroughly immersed in the world of rural 16th century England. The pattern of dialogue was somewhat archaic and at times a bit difficult, but once I got into the story, it only added to the sense of time and place. I bought in so completely to the world that Sharratt was showing me, that I could help stopping and comparing the lives of these women in Pendle Forest to that of the men and women of London and Queen Elizabeth’s court in the same general time period. I was astounded by the differences time and time again, and yet it all rang true.

One of the most interesting things about “Daughters of the Witching Hill” is that Sharratt does not assume that all who were accused of practicing witchcraft and magic were innocent. Whether or not the modern reader wants to believe in the efficacy of Bess’s potions and murmurings, she certainly believes that she is doing a form of magic, as do the people around her. I appreciated that Sharratt wrote this story in, what seemed to me, ambiguous enough of a way that it wasn’t really clear whether Bess’s mutterings worked any change on her patients, or whether there were other less supernatural forces at work. I could still accept the outcomes without having to suspend my disbelief and was still able to keep this novel squarely in the realm of historical fiction without having to venture into fantasy.

For a book about  accused witches, there was so much more here! Politics, religion, history, power struggles, the lives of everyday people – and women in particular. I highly recommend this book.

Buy this book from:
Powells.*
A local independent bookstore via Indiebound
.*
Amazon
.*

This review was done with a book received from the publisher.
* These links are all affiliate links. If you buy your book here I’ll make a very small amount of money that goes towards hosting, giveaways, etc.

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4587600483 99757c2f6e m picture“My Wife’s Affair,” recently published by Amy Einhorn books, is the story of loving married couple Georgie and Peter. When the two move to London, Georgie plays Dora Jordan, mistress of King William IV, in a one-woman show. As Georgie begins to identify more and more with Dora, she has to question the assumptions of her life. I will be reviewing “My Wife’s Affair” later this summer.

My husband loves to tell people that I had one child in my twenties, one in my thirties, and one in my forties, suggesting that I am some sort of agelessly fertile being who chose to spread her pregnancies out over three decades.  In truth, my first child was born five days before I turned 30, the second when I was 32, and the last just six weeks after my fortieth birthday.  The age spread is really only ten years, but even that wreaked a fair amount of havoc on my life, work and otherwise.  It’s a rare woman who could say that the arrival of any child didn’t catapult her immediately and permanently into some version of the work/motherhood conflict.  I reflected on that lately as I studied and wrote about another working mother, one whose children have a far wider age spread than I have.

Her name is Dora Jordan.  Her first child was born around her 21st birthday, her last when she was 45.  Altogether, she had fourteen children, including one boy who died in infancy, and on top of that there were several miscarriages.  For the better part of 25 years, she was pregnant, or nursing, or both.

And she was also working.  She worked right up until the birth of each child and did not usually take any maternity leave at all–she simply brought the latest baby to work with her.  Her usual commute was two hours each way, and she travelled extensively for work; often, she was away from home for weeks at a time. She stayed in constant touch when she was on the road, sending daily messages to her partner and all of the children.  Her working was a necessity:  although her partner had some income, there were long stretches where her earnings alone supported the entire family.  But that was okay, because like many women she loved her work.  Perhaps she even lived for it.

4588240098 e6945cfd61 m pictureShe was a stage actress, wildly successful, much beloved, the most famous comic actress of her time–which you may have guessed was not our time.  With her star power, her high-profile romance, and her large family, Dora Jordan was a kind of Angelina Jolie of her day, though she didn’t need to scour the world’s continents to adopt babies.  She simply had them on her own.

Dora Jordan lived from 1761 to 1816, Georgian England, and yet as I studied her life, I found her conflicts remarkably similar to mine and my friends’, two hundred years later.  She missed her children desperately when she was away from them, yet she missed her job and sunk into melancholy when she tried—for short periods of time—to forego her career to stay at home and manage the unruly household.  Sound familiar?

Yes, there were nannies and servants, but she was a real mother, tending to her children’s needs.  Even in an age of wet nurses, she chose to breastfeed them herself.  She slept with the babies in her bed, she kept up their immunizations, ordered their clothes and shoes, sent them packages when they were away at school or in the army, took them on long walks, devised amusements for them all.  In short, she did everything any modern mother would do.  Nannies and servants made it easier, but this was a time when every bit of food had to be cooked from scratch, when washing clothes took all day, when the toilet facilities were. . . questionable.  Who knows what they did about diapers–the safety pin wasn’t even invented until 1849!

Dora also had another job—as a royal mistress.  Although her first child was the product of a seduction or quite possibly a rape and the next three were from a liaison with a commoner, she had ten children with the Duke of Clarence, later King William IV of England, and Queen Victoria’s uncle.  He was her domestic partner for a full twenty years.

We know a lot about Dora Jordan’s life because hundreds of her letters to the Duke survive.   She worries about her little ones:  “The doctor has advised postponing inoculating little Tuss until the weather is decidedly cooler.  Poor dear, I must wean him tomorrow.  The rest of the young ones are well, though Lolly’s cold is rather troublesome.” When her eldest daughter hits puberty, she writes, “Sophy has come in very cross, I’m afraid, an complains of a headache.  I fear her constitution will shortly undergo a change.  It is with the greatest difficulty that I can get her to stir out of her bedroom or hit on anything to amuse her.” Another letter , written as she contemplates yet another renovation of her house, says, “Honestly, I really didn’t know how on earth to manage the bricklayers!”

These are just the kind of messages you can imagine passing between a husband and wife today, via email or phone conversations.  The actual concerns of day to day life as a mother haven’t changed all that much in 200 years.  Are the children healthy?  Is anybody miserable?  Is my house ever going to not be a wreck? Because of the 25-year age spread, her duties straddle all facets of child-rearing, providing dowries for her older daughters while nursing the younger ones, saying goodbye to the sons who went off to boarding school (at seven!) or to the sea as navy midshipmen (at eleven!)  I think about this when I am struggling with two teenagers and a kindergartener, trying to figure out how to combine a college-hunting trip with a visit to Sesame Place, while still getting my own work done.  I am grateful for the things I have that Dora Jordan didn’t.

4588503247 d00a90b968 m pictureDora Jordan’s life ended sadly. The Duke eventually dumped her for a younger, richer woman, and though her children weren’t specifically taken from her, she needed them to live under their father’s protection.  “Giving the children up would have been death to me,” she said, “if I were not so strongly impressed with the certainty of it being fort their future advantage.” As an actress, she had no social standing; as a woman she had no power.  Her children entered royal society as the Fitzclarences, the bastard children of the Duke.  The sons were successful; the daughters married well; UK Conservative Party Leader David Cameron is one of Dora’s direct descendants.  And Dora herself?  She retired from the stage at 53, became ill, and died penniless and alone.  This is the part where she ran up against the 18th century.  In this regard—though I have never been famous or consorted with royalty—I am luckier.  I have power, equality, birth control.

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The winner of the Jennie Nash Mother’s Day contest is Sheila from Book Journey. About her favorite fictional mother-daughter pair, Sheila says:

This was an easy pick for me.  I have always admired the mother/daughter relationship between Lorelai and Rory from the Gilmore Girls TV series.  They are so close and funny and connect in rare ways, brought together by the bond of a single mom who had her daughter at a young age.

Through the show I experienced every emotion they could go through from battling on together, to Rory moving out, so much laughter – as well as tears.

Watching these two makes me miss my mom all the more.  I still watch these episiodes and refer to them as my comfort show.

Sheila wins a signed copy of “The Threadbare Heart” and will be entered in the grand prize drawing to win a set of books for her book club, as well as a rum cake.

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4571673149 ff1ac1003e pictureThe Devil’s Highway by Luis Alberto Urrea

In May of 2001, a group of men attempted to cross from Mexico to the U.S. through a section of desert ominously referred to as the Devil’s Highway. While they are crossing, they get spooked, thinking the Border Patrol has found them and run, losing their way in the process. After an entire series of calamitous decisions, the men start hoping that the Border Patrol will find them, if only to save their lives.

This is some heart-wrenching nonfiction right here. Seriously.

One thing I think Urrea does particularly well in “The Devil’s Highway” is looking at the different sides of this story. He introduces the perspectives both of the men attempting to cross illegally into the United States and of the Border Patrol, and even tries to get into the head of some of the coyotes to a certain extent.

I also appreciated the way that Urrea presented his bias. I do not mean bias in a denigrating way, everyone has an opinion on immigration, and it is pretty much inevitable that it would an inform a book such as this. Urrea walked a fine line here with making his bias/opinion/what have you obvious enough that I could identify it and see how it influenced how he told the story of these men, but not so overwhelming that the reader would feel preached to.

The most powerful chapter in the book come right about in the middle and is called “Killed by the Light.” It basically details, step-by-step, how one dies from thirst and heat in sparse, beautiful prose. Every word of it pierced my heart, both due to the writing and the fact that I knew this process was happening in each and every of the men lost on the Devil’s Highway. The style and power of this section reminded me of Michael Shaara’s “The Killer Angels,” which is a very favorable comparison, as that is one of my very favorite books.

I had just a little bit of trouble getting into the very beginning of this book, but once I settled into the very distressing story Urrea was telling me, I was completely rapt. No matter what your views on immigration, I believe that Urrea will bring to life the human tragedy caused by policies on both sides of the border. Very highly recommended.

Buy this book from:
Powells.*
A local independent bookstore via Indiebound
.*
Amazon
.*

This review was done with a book I purchased myself.
* These links are all affiliate links. If you buy your book here I’ll make a very small amount of money that goes towards hosting, giveaways, etc.

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So, hopefully by now most of you have heard me talk about my very favorite bookstore, an indie in Glen Ellyn, IL called The Bookstore. I found it originally by tweeting with two of the fabulous booksellers there, Sue and Margie, although all of the booksellers there are terrific. Ever since my first visit, I try to go at least once a month, although I tend to feel jumpy if it has been more than two weeks. It is my favorite place to go and have bookish talk offline. By the way, if you’re in the Chicago area, you should come and check out the Glen Ellyn Bookfest on June 19th, I’ll be there!

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Me and Luis

On Wednesday, the wonderful people at The Bookstore organized a fantastic event with Luis Alberto Urrea. Luis has written, among other things, “Into the Beautiful North” and “The Hummingbird’s Daughter.” I own both of those books, but haven’t read either of them yet, although I did read his nonfiction work, “The Devil’s Highway” in preparation for this event. I took my Mother-in-Law with me, and she read “Into The Beautiful North,” which she is really liking, even though she has not yet had time to finish it.

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The appetizers

And what an event it was! In addition to the awesome Luis, The Bookstore provided margaritas and a local Mexican restaurant, Chicks and Salsa (love the name!), provided appetizers.

But the real highlight of the evening was Luis’s talk. He was there partially to promote his new book – a graphic novel, “Mr. Mendoza’s Paintbrush, ” which is not yet officially on sale but which the publisher sent to The Bookstore for all of us to be able to buy. You’d better believe I picked one up.

Luis is amazing. he is just a fantastic storyteller (I know, I know, maybe why he is a successful author?). Not only that, but he has lived a really amazing life. He was born in Tijuana to an American mother and Mexican father but moved to the United States when he was young, although he returned to the Tijuana garbage dumps later in life to do missionary work. He talked at least briefly about all four of his full-length books and oh my GOSH did he ever make me want to read all of them! I mean, I guess that’s the point of something like this, but still. I was seriously tempted to throw all my obligations out the window when I got home and just binge on his work for awhile.

I also want to say, that both Luis and his wife Cindy seem like really sweet, awesome people. I wish them the best of luck on their upcoming book tour!

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Luis during his talk

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Showing off "Mr. Mendoza's Paintbrush"

I received no compensation for this post, other than a great evening that was free for everyone – oh, and that book Sue lent me! I did spend a good deal on books while I was there, though.

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Giveaway closed

It begins with an utter fascination for a place, a time, an historical person: something that will not let you go. Claude and Camille began when I visited an art exhibition of the early works of the impressionists. I stood before one of Claude Monet’s paintings of a stormy seacoast and a weary horse making its way down the sand, and said “What sort of intense man painted that?” I was fascinated by the friendship between the young artists, all then unknown, and thought, “Who were the women who were close to them?”  Who loved this sexy, dark-eyed young Monet?

The idea for a novel begins perhaps with a few lines on paper and after a time grows into scenes and sections. Characters and place begin to emerge. And then the writer has the most passionate desire in the world to know every single thing about her historical characters and their times. When I first began to write historical fiction you spent long days in research libraries and haunted used bookshops. Since the internet you can find all sorts of information, or almost any old book, or find access to scholars who can help you.

Antique books with candle 300x230 pictureI ended up buying sixty books on impressionism and Paris and reading and reading and haunting several art museums and walking the streets of Paris that Claude Monet walked and traveling to Giverny. You take all that research and combine imagination with it. The most challenging part for me is plotting the events which lead the characters to the last pages. Eventually you have a full novel and hopefully one good enough that an editor will offer to buy it.

The editor works with your novel, giving suggestions to strengthen it. Often a writer knows so much about her world and characters that she does not realize some of it is still in her head and not on the page. And of course friends have also read it and commented on how it could be strengthened. After that, the copy-editor points out that your heroine’s hair changes color from page 36 to page 94!

But when it is all proofed and printed between the covers with an evocative jacket, the writer hopefully has created a world for readers to enter and live in, a world deep and true and real which may take them on a remarkable journey to places and people all over time.

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